1. SylabUZ
2. Wydział Artystyczny
3. semestr zimowy 2024/2025
4. WA - oferta ERASMUS / sztuki plastyczne - Program Erasmus pierwszego stopnia
5. Workshop graphics

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Workshop graphics - opis przedmiotu

Cel przedmiotu

By the end of the course, the students should be able to develop creative possibilities in workshop graphics, and develop their individual style of expression in art. The workshops include such graphic techniques as: intaglio, linocut, screen printing, digital printing, lithography and offset. Using the experience gained on the course, students will be able to create their own work. 

Wymagania wstępne

Zapisz zmiany

Basic knowledge of graphic techniques, which allows to recognize and select the appropriate technique for the implementation of graphics.

Zakres tematyczny

Students will be introduced to technological and artistic possibilities applied in printing in graphics workshops concerning digital printing, intaglio, linocut, silkscreen and lithography. The students will broaden their knowledge on the methods of printing and will be made aware of the possibilities of printing as an expression of art.

The students are expected to develop their knowledge on different techniques of printing and use them. Knowledge of the historical and cultural context of graphics is discussed.

Metody kształcenia

Students carry out graphic works based on topics proposed by lecturers, and they can also choose their own topics. After selecting the most interesting proposal, techniques, methods and methods of printing are selected.

Efekty uczenia się i metody weryfikacji osiągania efektów uczenia się

Opis efektu	Symbole efektów	Metody weryfikacji	Forma zajęć

Warunki zaliczenia

The student will be assessed on the basis of the work done, participation in classes and commitment to the assigned tasks. Graphic works made in the studio are subject to evaluation.

Literatura podstawowa

Bill Fick, "Printmaking: A Complete Guide to Materials & Process (Printmaker's Bible, process shots, techniques, step-by-step illustrations)"

1. Jane Stobart "Printmaking for Beginners"

2. Mark Graver "Non-toxic printmaking"

3. Mark Graver "Non-toxic printmaking"

4. "Printmaking at the Edge" Richard Noyce

 

 

Literatura uzupełniająca

"English for Printmaking" Dorota Kopacz-Thomaidis, Christopher Nowicki, Academy of Fine Arts Wroclaw

http://www.en.triennial.cracow.pl

Uwagi

Zmodyfikowane przez dr Anna Owsian (ostatnia modyfikacja: 12-11-2024 09:43)