SylabUZ
| Course name | Painting |
| Course ID | 03.1-WA-D-MAL-S18 |
| Faculty | Faculty of Arts |
| Field of study | WA - oferta ERASMUS / Humanities and Arts, Fine Arts |
| Education profile | - |
| Level of studies | Second-cycle Erasmus programme |
| Beginning semester | winter term 2021/2022 |
| Semester | 1 |
| ECTS credits to win | 9 |
| Course type | obligatory |
| Teaching language | polish |
| Author of syllabus |
|
| The class form | Hours per semester (full-time) | Hours per week (full-time) | Hours per semester (part-time) | Hours per week (part-time) | Form of assignment |
| Class | 90 | 6 | - | - | Credit with grade |
Recognition and development of students’ mental and manual and familiarising them with the basic methods of pictures i a given painting technique. Opportunities for the students to gain necessary experience and skills that will enable them to create their own work. Developing in students an awareness of individual creativity and self-realisation. The subject includes familiarizing painting techniques: watercolor, gouache, crayon, oil, acrylic, collage.
The thematic scope of the subject emphasizes the balance of the workshop and theoretical basis of student development. The starting point is the approach to painting as a discipline assimilating a wide range of available means of artistic expression while mastering contemporary means of image shaping
Sucessful entrance to Erasmus program.
Analytic observation of nature as a basis for any workshop activities and other classes based on direct observation.
Designing and planning of paintings (painting sketch).
Project realisation based on a study ( study of still life, study of interior, study of landscape, portrait and self-portrait, study of a person).
Getting to know expressive techniques in 2D .
The basics of the shape of an artistic work.
Synthetic observation of nature.
Classes on a free interpretation of nature.
Classes based on the use of intuition and imagination.
Individual selection of a theme and aim in painting.
Individual and conscious project realisation.
Classes are run by a tutor. One to one tutorials. Assistance during the initial and final stages of a project is provided.
| Outcome description | Outcome symbols | Methods of verification | The class form |
Individual feedback on the students’ onging work, discussions and tutorials. Portfolio and discussions on the achievements during the whole semester. Partticipation in classes, regular attendance and portfolio are necessary for a pass. Feedback and grade on the portfolio.
Ernst Gombrich, O sztuce
D. Elger, Abbstrakct art, Wydawnictwo Taschen, 2017
Barbara Hess, Abbstrakct expressionism, Wydawnictwo Taschen, 2017
J. Pollakówna, Zpatrzenie myśląc o obrazach myśląc o malarzach, Wydawnictwo: Słowo/Obraz/Terytoria
Wasyl Kandyński, O duchowości w sztuce, Państwowa Galeria Sztuki, łódź, 1996
Władysław Strzemiński, Teoria widzenia, Wydawnictwo słowo/obraz/terytoria, Gdańsk, 2001
H. Damisch, okno w żółci kadmowej albo o tym, co kryje się pod spodem malarstwa, Wydawnictwo Słowo/Obraz/Terytoria
P. Zaporowicz, De trynitate, Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika
Nowe pole obrazowania - cyfrowe malarstwo. Na przykładzie Grid System Zbigniewa Romańczuka Akademia Sztuki w Szczecinie, 2015
WEBSITES ABOUT ART:
/www.bielskajesien.pl
artbazaar.blogspot.com\
www.magazynsztuki.eu
Monographic catalogs and catalogs from exhibitions of various artists.
Modified by dr Patrycja Wilczek-Sterna (last modification: 26-04-2021 22:51)
