SylabUZ
Course name | Workshop graphics |
Course ID | 03.1-WA-P-WorkGra-S22 |
Faculty | Faculty of Arts |
Field of study | WA - oferta ERASMUS / Humanities and Arts, Fine Arts |
Education profile | - |
Level of studies | First-cycle Erasmus programme |
Beginning semester | winter term 2022/2023 |
Semester | 2 |
ECTS credits to win | 6 |
Course type | optional |
Teaching language | english |
Author of syllabus |
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The class form | Hours per semester (full-time) | Hours per week (full-time) | Hours per semester (part-time) | Hours per week (part-time) | Form of assignment |
Class | 45 | 3 | - | - | Credit with grade |
By the end of the course, the students should be able to develop creative possibilities in workshop graphics, and develop their individual style of expression in art. The workshops include gravure, printing, digital printing, lithography, offset lithography and spatial graphics. Using the experience gained on the course, students will be able to create their own work.
Students already know the basics of graphic techniques, they are aware of the possibilities of the chosen technique. This will allow them to use the known technology in a creative way.
Students will be introduced to technological and artistic possibilities applied in printing in graphics workshops concerning digital printing, intaglio, linocut, silkscreen and lithography. The students will broaden their knowledge on the methods of printing and will be made aware of the possibilities of printing as an expression of art.
The students are expected to develop their knowledge on different techniques of printing and use them. Knowledge of a historical and cultural context of graphics is covered.
Students make graphic works based on the topics proposed by the lecturers. Where appropriate, students may be able to choose their own projects. After approval of the project selection, techniques, methods and printing methods are selected.
Outcome description | Outcome symbols | Methods of verification | The class form |
The student will be assessed on the basis of the work performed, participation in classes and involvement in the assigned tasks. Also, independence and creativity of expression.
Bill Fick, "Printmaking: A Complete Guide to Materials & Process (Printmaker's Bible, process shots, techniques, step-by-step illustrations)"
Jane Stobart "Printmaking for Beginners"
Mark Graver "Non-toxic printmaking"
Mark Graver "Non-toxic printmaking"
"Printmaking at the Edge" Richard Noyce
"English for Printmaking" Dorota Kopacz-Thomaidis, Christopher Nowicki, Academy of Fine Arts Wroclaw
http://www.en.triennial.cracow.pl
Modified by dr Maryna Mazur (last modification: 22-04-2022 20:34)