SylabUZ
Course name | Piano accompaniment and sight-reading |
Course ID | 03.2-WA-P-Akz Czyt-S18 |
Faculty | Faculty of Arts |
Field of study | WA - oferta ERASMUS / Humanities and Arts, Music |
Education profile | - |
Level of studies | First-cycle Erasmus programme |
Beginning semester | winter term 2018/2019 |
Semester | 2 |
ECTS credits to win | 4 |
Course type | obligatory |
Teaching language | polish |
Author of syllabus |
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The class form | Hours per semester (full-time) | Hours per week (full-time) | Hours per semester (part-time) | Hours per week (part-time) | Form of assignment |
Class | 15 | 1 | - | - | Credit with grade |
Development of practical piano playing skills concerning both creating and reading music. Learning the basic chord patterns and becoming familiar with the types of piano textures. Acquiring the skills of reading and interpret of chords and chord symbols. Learning the principles of creating the melody and the bass line. Learning the basic elements of improvisation based on chord patterns.
A pass grade in the entrance examinations for the first year of Music Education Studies and achieving the required credits for the 3rd semester.
Semester 1:
Constructing a full piano accompaniment to a monodic melody. Creating one’s own melodic and chord structures. Creating intros and outros to songs. Reading piano pieces for 4 hands, sight-reading simple piano works.
Semester 2:
Basic elements of piano improvisation: creating melody and the bass line on a basis of a chord structure, playing accompaniments to movement exercises and dances, sight-reading of chord symbols (used in traditional music as well as in jazz and popular music), transposition.
Practical exercises in piano playing and analysis of selected examples from the music literature.
Outcome description | Outcome symbols | Methods of verification | The class form |
Semester 1:
Grade for playing accompaniments to five songs (including intros and outros) and sight-reading of a piano piece (for piano solo and for four hands).
Semester 2:
Grade for playing transpositions of accompaniments to selected songs and accompaniments to movement exercises as well as and sight-reading of chord symbols.
A. Koszewski: Materiały do nauki improwizacji fortepianowej, PWSM, Poznań, 1968
Maria Kubica-Skarbowska. Podstawy Improwizacji Fortepianowej, Skrypt Uniwersytetu Śląskiego w Katowicach, nr 518, Katowice 1996
A. Poszowski: Harmonia tonalna, PWSM w Gdańsku, Gdańsk 2001
Wojciech Olszewski, Podstawy harmonii we współczesnej muzyce jazzowej i rozrywkowej, PWM, Kraków 2010
Arrangements and pieces for piano for 4 hands
G. Mania, M. Gardoń-Preinl, Czytanie a vista, PWM, Kraków 2017
Modified by mgr Żaneta Kicińska (last modification: 29-05-2018 14:58)