SylabUZ
| Course name | Special music literature |
| Course ID | 03.2-WA-D-SpLMu-S18 |
| Faculty | Faculty of Arts |
| Field of study | WA - oferta ERASMUS / Humanities and Arts, Music |
| Education profile | - |
| Level of studies | Second-cycle Erasmus programme |
| Beginning semester | winter term 2018/2019 |
| Semester | 2 |
| ECTS credits to win | 4 |
| Course type | obligatory |
| Teaching language | polish |
| Author of syllabus |
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| The class form | Hours per semester (full-time) | Hours per week (full-time) | Hours per semester (part-time) | Hours per week (part-time) | Form of assignment |
| Class | 15 | 1 | - | - | Credit with grade |
The aim of the subject is the introduction in the part of music literature that had an influence on film music in the particular film genres and in national traditions. This perspective seem to be particularly important from the point of view of a broadly understood music education because of an immense popularity of film and film music among the society. This enables the creation of a valuable tool in the field of the educational activities: the access to the classical music through associations with film.
A pass in the entrance examinations and receiving the required credits for the first year of the graduation Music Education Studies
Course programme:
1. Hector Berlioz – Symphonie fantastique and its influence on the music of horrors
2. Fr. Chopin – 4 piano Ballades – creating a music narration which had an influence on the later Liszt’s symphonic poem
3. F. Liszt – the symphonic poem Preludes – the earliest anticipation of some idiomatic aspects of the film music narration
4. R.Wagner – introduction to Tristan and Isolde and the finale of this work (Liebestod), overture to Tannhäuser – anticipation of the characteristic features of soundtracks of romantic films and melodramas
5. R. Strauss – Don Juan - as above
6. P. Czajkowski – Romeo i Julia – as above and film ballet adaptations
7. S. Rachmaninoff: II Piano concerto in C minor, The Bells - as above
8. C. Debussy – L'Après-midi d'un Faune, M.Ravel – Lever du Jour from Dafnis i Chloe – the birth of an idiom of music of nature and Greek mythology connected with nature
9. G. Puccini – Tosca, act I , O. Respighi, Pines of Rome – influence on the Italian film music and – in the latter case – on Hollywood’s historical and costume films about the ancient Rome
10 R. Vaughan Williams – A London Symphony – development of the idiom of English film music
11. M.Karłowicz, Odwieczne pieśni, Stanisław i Anna Oświecimowie, W. Kilar Kościelec 1909 – influence on the shape of Polish film music
12. D. Szostakowicz, VII Symphony “Leningrad” – influence on the Russian and Soviet war films
13. R.Addinsell, Koncert Warszawski (from the film A dangerous Moonlight, 1941)
Lecture and presentation of the excerpts of the compositions
| Outcome description | Outcome symbols | Methods of verification | The class form |
Auditory test: the student must know a minimum of 60% of the required repertoire.
J.Haraschin, Przewodnik koncertowy
B. Muchenberg, Pogadanki o muzyce cz. 2
Wielka Encyklopedia Muzyczna PWM
Futhermore: the appropriate literature concerning the detailed subjects
Jerzy Toeplitz, Historia sztuki filmowej, Warszawa 1969
Modified by mgr Żaneta Kicińska (last modification: 07-05-2018 12:23)
