1. SylabUZ
2. Wydział Artystyczny
3. semestr zimowy 2022/2023
4. WA - oferta ERASMUS / sztuki plastyczne - Program Erasmus pierwszego stopnia
5. Workshop graphics

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Workshop graphics - opis przedmiotu

Cel przedmiotu

By the end of the course, the students should be able to develop creative possibilities in workshop graphics, and develop their individual style of expression in art. The workshops include gravure, printing, digital printing, lithography, offset lithography and spatial graphics. Using the experience gained on the course, students will be able to create their own work.

Wymagania wstępne

Zapisz zmiany

Students already know the basics of graphic techniques, they are aware of the possibilities of the chosen technique. This will allow them to use the known technology in a creative way.

Zakres tematyczny

Students will be introduced to technological and artistic possibilities applied in printing in graphics workshops concerning digital printing, intaglio, linocut, silkscreen and lithography. The students will broaden their knowledge on the methods of printing and will be made aware of the possibilities of printing as an expression of art.

The students are expected to develop their knowledge on different techniques of printing and use them. Knowledge of a historical and cultural context of graphics is covered.

Metody kształcenia

Students make graphic works based on the topics proposed by the lecturers. Where appropriate, students may be able to choose their own projects. After approval of the project selection, techniques, methods and printing methods are selected.

Efekty uczenia się i metody weryfikacji osiągania efektów uczenia się

Opis efektu	Symbole efektów	Metody weryfikacji	Forma zajęć

Warunki zaliczenia

The student will be assessed on the basis of the work performed, participation in classes and involvement in the assigned tasks. Also, independence and creativity of expression.

Literatura podstawowa

Bill Fick, "Printmaking: A Complete Guide to Materials & Process (Printmaker's Bible, process shots, techniques, step-by-step illustrations)"

1. Jane Stobart "Printmaking for Beginners"

2. Mark Graver "Non-toxic printmaking"

3. Mark Graver "Non-toxic printmaking"

4. "Printmaking at the Edge" Richard Noyce

 

 

Literatura uzupełniająca

"English for Printmaking" Dorota Kopacz-Thomaidis, Christopher Nowicki, Academy of Fine Arts Wroclaw

http://www.en.triennial.cracow.pl

Uwagi

Zmodyfikowane przez dr Maryna Mazur (ostatnia modyfikacja: 22-04-2022 20:34)