SylabUZ
| Course name | Musical forms with analysis of musical work |
| Course ID | 03.2-WA-EASMP-FAMU-Ć-S14_pNadGen0L5RV |
| Faculty | Faculty of Arts |
| Field of study | WA - oferta ERASMUS / Humanities and Arts, Music |
| Education profile | - |
| Level of studies | First-cycle Erasmus programme |
| Beginning semester | winter term 2021/2022 |
| Semester | 1 |
| ECTS credits to win | 4 |
| Course type | obligatory |
| Teaching language | polish |
| Author of syllabus |
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| The class form | Hours per semester (full-time) | Hours per week (full-time) | Hours per semester (part-time) | Hours per week (part-time) | Form of assignment |
| Class | 15 | 1 | - | - | Credit with grade |
1. Acquiring the basic skills required for the formal and structural analysis of a music work.
2. Becoming aware of the historical and cultural determinants of the analysis methods.
3. Becoming familiar with the basic archetypes of constructing of the music staff and with musical forms
based on them
receiving the required credits for the 4th semester of studies.
The definition of music, music work, musical form. The basic form classification.
Elements of a music work. The principles of constructing the music staff.
Tonality, syntax and form in music explained by the analysis of selected forms of great Baroque and Classic composers: rondo, theme with variations, fugue, sonata-allegro form. The aim and sense of the music work analysis, historical context of the analysis. Analysis of the form and syntax and Schenkerian analysis as the two most widespread analytical methods in the contemporary music theory worldwide.
Lecture and practical exercises in form of analysis of examples from music works
| Outcome description | Outcome symbols | Methods of verification | The class form |
The learning outcomes will be verified in form of a written and an oral test. Moreover it is required to present an independently prepared analysis of a chosen music work.
1. M. Tomaszewski: Nad analizą i interpretacją dzieła muzycznego. Myśli i doświadczenia w „Res Facta” nr 9 1982;
2. J.M. Chomiński, E. Wilkowska-Chomińska: Formy muzyczne
3. R. Bukowski: Metodyka nauczania form muzycznych;
4. A. Frączkiewicz, F. Skołyszewski: Formy muzyczne t. I-II; 5. St. Łobaczewska: Zarys historii form muzycznych;
6. B. Muchenberg: Literatura Muzyczna,
7. D. Wójcik: ABC Form muzycznych
M. Gołąb, Spór o granice poznania dzieła muzycznego
Modified by mgr Wojciech Pruszyński (last modification: 26-04-2021 17:16)
