SylabUZ
| Course name | Introduction to composition and arrangement |
| Course ID | 03.2-WA-D-WKiA-S18 |
| Faculty | Faculty of Arts |
| Field of study | WA - oferta ERASMUS / Humanities and Arts, Music |
| Education profile | - |
| Level of studies | Second-cycle Erasmus programme |
| Beginning semester | winter term 2018/2019 |
| Semester | 2 |
| ECTS credits to win | 4 |
| Course type | obligatory |
| Teaching language | polish |
| Author of syllabus |
|
| The class form | Hours per semester (full-time) | Hours per week (full-time) | Hours per semester (part-time) | Hours per week (part-time) | Form of assignment |
| Class | 15 | 1 | - | - | Credit with grade |
Making the student familiar with the problems of the orchestration techniques
Acquiring practical skills connected with orchestration and composition for classroom ensembles and
non-professional music ensembles.
Introduction to arrangement of simple melodies for classroom and non-professional vocal, instrumental
and vocal-instrumental ensembles.
Introduction to composition of simple music forms
A pass in the entrance examinations for the first year of the graduation Music Education Studies.
Semester I:
Arrangement of a monodic melody for choir.
Arrangement of a monodic melody for piano and/or a small instrumental ensemble. Arrangement of a 2-, 3- or 4-voice song for a choir and piano or a small instrumental ensemble.
Semester II:
Creating simple forms (a, a1 or a, b, a) for a vocal or instrumental ensemble.
Creating more complicated forms (e. g. abcba)
Creating pieces of a specific character (e. g. dance, march etc.) and sets of such pieces for a solo instrument or an ensemble.
Demonstration of example arrangements and compositions, discussion and correction of the students’ works.
| Outcome description | Outcome symbols | Methods of verification | The class form |
Grade
Semester I: for the prepared works.
Semester II: for the prepared works and a public performance of a selected composition.
J. Pawłowski: Podstawy instrumentacji, PWM Kraków, 1980; tom 1-2;
Z. Ciechan: Aranżacja;Centralny Ośrodek Metodyki Upowszechniania Kultury, Warszawa 1970 K. Guzowski: Podstawowe zagadnienia instrumentacji, AM Gdańsk, 1986;
M. Drobner: Instrumentoznawstwo i akustyka, PWN Kraków,1973;
S .Moniuszko: Pieśni wybrane na chór 3-gł.i fortepian, PWM Kraków,1982.
M. Komorowska: Orkiestra dziecięca cz. I i II, WSiP Warszawa 1979
A. Michalski, Wykłady z instrumentacji, Wydawnictwo Uczelniane Akademii Bydgoskiej, Bydgoszcz 2005
M. Rybnicki, Vademecum instrumentacji, Centralny Ośrodek Metodyki Upowszechniania Kultury, Warszawa 1987
U. Kaiser, C. Gerlitz, Arrangieren und Instrumentieren, Barock bis Pop, Bärenreiter, Kassel, 2009
H. Mancini: Sounds & Scores; Northridge Music, USA, 1973
J. Hanslik: Instrumentarium szkolne, Uniwersytet Śląski, Katowice 1981
S. Adler: The Study of Orchestration, W.W. Norton and Company, New York, 1989
W. Olszewski, Sztuka aranżacji w muzyce jazzowej i rozrywkowej, PWM, Kraków, 2010
K. Wiatr, Propedeutyka aranżacji muzyki rozrywkowej, Akademia im. Jana Długosza w Częstochowie, 2009
Modified by mgr Żaneta Kicińska (last modification: 07-05-2018 12:24)
